Judy 2019 Eestikeelsed Subtiitrid

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Judy 2019 Eestikeelsed Subtiitrid

Filmimeeskond

Koordineerimise kunstiosakond : Dubas Leonie

Stunt-koordinaator : Atara Hameem

Stsenaariumi kujundus :Kamille Aurora

Pildid : Allana Dorla
Co-Produzent : Madoka Minette

Saatejuht : Suresh Saketh

Juhendava kunsti direktor : Araceli Alphy

Lavastada : Klevisa Noble

Tootja : Wardah Maree

Näitleja : Fardin James

Winter 1968 and showbiz legend Judy Garland arrives in Swinging London to perform a five-week sold-out run at The Talk of the Town. It is 30 years since she shot to global stardom in The Wizard of Oz, but if her voice has weakened, its dramatic intensity has only grown. As she prepares for the show, battles with management, charms musicians and reminisces with friends and adoring fans, her wit and warmth shine through. Even her dreams of love seem undimmed as she embarks on a whirlwind romance with Mickey Deans, her soon-to-be fifth husband.

6.8
287

Filmi Pealkiri	Judy
kellaaeg	117 seconds
Vabastama	2019-09-27
sort	MPE 720p HDTS
sort	Drama
language	English
castname	Magen Q. Marya, Herrera C. Miran, Ricardo A. Minna

[HD] Judy 2019 Eestikeelsed Subtiitrid

Lühifilm

Kulutatud : $557,435,159

Sissetulek : $165,222,052

Group : Apathie - Großartig , Geschichte - Neuseeland , Mathematik - Werbung , Horror - Skizzen

Tootmisriik : Costa Rica

Tootmine : Taewon Entertainment

Judy filme – Wikipédia a enciclopédia livre ~ Judy br Judy Muito Além do ArcoÍris é um filme britânicoestadunidense de 2019 dirigido por Rupert Goold e estrelado por Renée Zellweger no papel de Judy Garland 2 É uma adaptação cinematográfica do musical da Broadway O Fim do ArcoÍris de Peter Quilter3O filme estreou no Festival de Cinema de Telluride em 30 de agosto de 2019 e foi lançado nos Estados Unidos em 27 de

Judy trilha sonora – Wikipédia a enciclopédia livre ~ Judy é a trilha sonora do filme de mesmo nome lançado em 27 de setembro de 2019 pela Decca RecordsO álbum apresenta músicas interpretadas por Renée Zellweger como Judy Garland do filme juntamente com duetos com Sam Smith 1 e Rufus Wainwright 2

Judy Garland – Wikipédia a enciclopédia livre ~ The Judy Garland Show foi elogiado pela crítica 53 mas por uma variedade de razões incluindo ser colocado no mesmo horário de Bonanza na NBC o show durou apenas uma temporada e foi cancelado em 1964 após 26 episódios

Discografia de Judy Garland – Wikipédia a enciclopédia livre ~ Judy Garland gravou dezenas de singles de suas canções para a Decca Records começando na década de 30 Garland começou a gravar álbuns para a Capitol Records na décda de 50 Seu primeiro álbum alcançou a posição de número 3 na Billboard 200 Judy at Carnegie Hall figurou por 73 semanas na lista da Billboard incluindo 13 semanas na posição número 1 ganhando disco de ouro e

A Date with Judy – Wikipédia a enciclopédia livre ~ A Date With Judy bra O Príncipe Encantado prt A Professora de Rumba é um filme estadunidense de 1948 do gênero comédia musical dirigido por Richard ThorpeO filme se baseou em um programa de rádio do mesmo nome que foi transmitido de 1941 a 1950 1 O elenco principal é composto por Wallace Beery Jane Powell Elizabeth Taylor e Carmen Miranda

Jude Law – Wikipédia a enciclopédia livre ~ Jude Law nome artístico de David Jude Heyworth Law Londres 29 de dezembro de 1972 é um ator britânico 1Começou a atuar no National Youth Music Theatre Em 2000 recebeu o prêmio BAFTA de Melhor Ator Coadjuvante pela sua atuação em The Talented Mr indicado duas vezes ao Oscar em 2000 na categoria de Melhor Ator Coadjuvante por The Talented Mr Ripley e em 2004 como

Judi Dench – Wikipédia a enciclopédia livre ~ Biografia Filha de Reginald Arthur Dench e Olave Judi Dench entrou aos treze anos para a The Mount School em York Recebeu seu treinamento profissional no Central School of Speech and Drama em Londres e estreou como Ophelia em Hamlet em Liverpool em foi aparecer em várias temporadas em Oxford e 1961 entrou para a Royal Shakespeare Company e fez muitas

Zootopia – Wikipédia a enciclopédia livre ~ Judy e Nick correm com as evidências mas são perseguidos pelos cientistas No museu a caminho da delegacia o par encontra Bellwether que tenta pegar a evidência Percebendo que Bellwether é a mentora da conspiração Judy e Nick tentam fugir mas Bellwether encurrala eles e atira um dardo em Nick e chama a Polícia para obter ajuda Nick

Lost in Space – Wikipédia a enciclopédia livre ~ No futuro ano de 1997 a Terra sofre com sua superpopulação O Professor John Robinson sua esposa Maureen seus filhos Judy Penny e Will além do Major Don West são selecionados para viajar pelo espaço até um planeta do sistema Alpha Centauri a fim de estabelecer uma colônia para que outras pessoas possam viver lá

Vietnã – Wikipédia a enciclopédia livre ~ Préhistória e Idade do Bronze As escavações arqueológicas revelaram a existência de seres humanos no que é hoje o Vietnã já no período PaleolíticoFósseis de Homo erectus datados de cerca de 500 000 aC foram encontrados em cavernas nas províncias de Lang Son e Nghe An e outras províncias do norte do país 13 14 Os fósseis mais antigos de Homo sapiens encontrados no

‘Judy’ is a film that celebrates Garland's legacy, and while the film is a little generic in its storytelling, Zellweger’s truly phenomenal performance pulls you into this behind the scenes to look at one of Hollywood’s greatest stars.
- Chris dos Santos

Read Chris' full article...
https://www.maketheswitch.com.au/article/review-judy-zellweger-goes-for-oscar-gold-in-mid-core-biopic
Renée Zellweger remembers how to act in this simple biopic, delivering her best performance since Cold Mountain in 2003, however despite the good intentions, the film cannot help feeling like a vehicle to grant nominations to its lead actress in the coming awards season, instead of saying something more interesting about Judy Garland.
Judy clicks her heels three times to transport us to a world of melancholy and self-destruction. Somewhere over the rainbow lies Judy Garland. An innocent, fragile and talented young actress who infiltrated silver screens and rapidly shot to fame. The voice of an ethereal angel. MGM’s golden girl.

But behind the lavish productions and beneath that unimpeachable smile, was an undisputed amount of pressure. A malleable marionette susceptible to the puppetry of Hollywood. A product of ruthless executives. Garland was no longer a person. Her individuality brutally reaped by higher authorities, manipulating her into believing she was physically unattractive. Starving, pill-popping and overworked. That was the cruel life of Judy Garland. The glistening glitter and the iconic voice, mere facades masquerading the suppressed pain. Unfortunately though, her repressed childhood and early stardom steered Garland into a life of alcohol and substance abuse. The yellow brick road wasn’t so golden after all.

Goold’s biopic (and part adaptation of the Broadway play) dramatises her later career, forced to perform a sell-out tour in London due to her unreliability in the States. Her unworkable state being a consequence of substance abuse. Clumsily walking out into the spotlight that she undoubtedly adored. That inevitable lust for fame. A legendary status. Trapped, her battle for the custody of her children raged on. Torn between the natural instinct of motherhood, and the only element of her life she’s ever known. Her profession. Edge’s screenplay, whilst surface level on certain aspects which merely imitated a biographical article instead of further sentimentalising Judy as an individual, eloquently explored the dangers of fame at such a vulnerable age. The inability to have a voice. To be bossed around by studio executives who see her as an asset rather than a human being.

It’s very much a by-the-numbers biopic, and Goold’s blend of light and darkness within his direction made this comparable to the equally melancholic ‘My Week With Marilyn’. Snippets of fans announcing their adoration for their idol, empowering the eponymous star even further. That joyous search for justification. But the sorrow never fades. Goold’s constant tone of desolation throughout, whilst teetered on unnecessary melodrama, honed in on the impact Garland made. There’s nothing more tragic than witnessing an individual undergo self-destruction, and Goold rarely distracts us from this.

It all comes down to the central performance. The actress who is in every scene, devoting her soul into the character. Ladies and gentlemen, Zellweger became Garland. Astonishingly embodying her right from the immediate title card. I’ll be irrefutably disappointed if she does not garner awards for her performance. Not only is it a career best, it’s quite simply the best of the year. The nuances, the voice, the erratic body movement. Rarely does a performance make me lose sight of who is actually acting. During that final rendition of “Over The Rainbow”, my eyes moistened. No longer was I seeing Zellweger, but Judy herself. It was cathartic. It was reincarnation. It was divine. Goold bravely shot the performances as one take sequences for the most part, which has to be applauded for artistic integrity. It did however make the lip syncing incredibly obvious which frustratingly pulled me out of the film. No fault of Zellweger’s stunning performance though. Rising star herself Buckley deserves some praise for her crystal clear performance. Such delicate clarity against the chaotic Garland. Would’ve liked to have seen more from Gambon and Sewell, but appreciate the film is solely focussed on Zellweger.

The film wouldn’t work without her. Garland has never been depicted with such compassion before, and it's an amalgamation of quality over quantity. It’s not big. It’s not flashy. It’s just honest. Garland herself would’ve been proud, and we will never forget her. But please, do bring a box of tissues with you...

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